Mélodie Ruvio - Contralto

Cliquez ici pour la version française

Having studied at the Paris CNR Conservatoire, contralto Mélodie Ruvio first announced herself in the title role of Folie in André-Cardinal Destouches’ Le Carnaval et la Folie, conducted by Hervé Niquet and directed by Jacques Osinski at the Opéra Comique in Paris, a production also taken to the Capitole in Toulouse and Bucharest Opera. She then sang the roles of Paix, Junon and Bellone in Lully’s Le Ballet des Arts with La Simphonie du Marais (c. Hugo Reyne; d. Vincent Tavernier) at the Festival de Sablé in Versailles. She sang Third Soprano in Purcell’s King Arthur with Le Concert Spirituel, again with Niquet, in Montpellier, Metz and Versailles, at the Théâtre des Champs-Elysées in Paris, the Barbican Centre in London and the Luxembourg Philharmonie.  She also sang Phébée in Rameau’s Castor et Pollux at the Festival de Sablé, Chaise-Dieu and Brême, as well as Disinganno in Handel’s Il Trionfo del Tempo e del Disinganno with Alexis Kossenko/Les Ambassadeurs in Warsaw and Poznan. Other roles include Fedra and Venere in Cavalli’s L’Egisto (c. Vincent Dumestre; d. Benjamin Lazar) at the Opéra Comique in Paris, Opéra de Rouen and the Grand Théâtre, Luxembourg, and Cornelia Giulio Cesare (c. Facundo Agudin; d. Bruno Ravella) at Stand de Moutiers in Switzerland.  Most recently, she sang the roles of Mastrilla and Ninetta in Offenbach’s La Périchole with the Musiciens du Louvre/Marc Minkowski at the Salzburg Festival, and at the Opéra de Montpellier and the Opéra de Bordeaux.

She sang her first Mozart role as Third Lady The Magic Flute (c. Joel Suhubiette; d.Eric Perez) at the Saint-Céré Festival and Opéra de Massy and went on to study that repertoire in more detail at the Aix-en-Provence Festival Mozart Academy, returning to the role at the Opéra de Vichy.  She also sang the role of Cléone in Gossec’s Thésée conducted by Guy Van Waas at Liège Philharmonie and Versailles Opera, as well as the role of Third Bayadère in Charles-Simon Catel’s Les Bayadères under the baton of Didier Talpain at the Sofia Philharmonie in Bulgaria (a production recorded on CD).

She is equally happy in contemporary work.  Most recently, she sang The Cook in Brice Pausey’s Wonderful Deluxe in Luxembourg and Rotterdam.   She also created the role of Third Rhine Daughter in the world première of Michael Jarrell’s Siegfried, nocturne with the Ensemble Multilatérale at the Geneva Wagner Festival, a role she will reprise in spring 2020 with Angers-Nantes Opéra.

She is a regular soloist in oratorio, where her repertoire include Liszt Via Crucis, Handel Messiah and Te Deum, Mozart Requiem and Sicilian Vespers, Elijah, Bach B Minor Mass and both St John and St Matthew Passion, Pergolesi Stabat Mater, Vivaldi Gloria and Nisi Dominus, Colin de Blamont Te Deum, and many Bach Cantatas with conductors such as Françoise Lasserre, Rinaldo Alessandrini, Jerome Correas, Marc Minkowski, Facundo Agudin, Michael Radulescu, Sylvain Sartre, Margaux Blanchard, Mathieu Romano, Jean-Michel Hasler, Frederick Haas and Alessandro Mocci.

Her forthcoming projects include Third Rhine Daughter in Michael Jarrell’s Siegfried, nocturne for Angers-Nantes Opéra, Third Priestess in Rameau’s Acanthe et Céphise at the Théâtre des Champs-Elysées with Alexis Kossenko and Les Ambassadeurs, and Third Lady in Die Zauberflöte, conducted by Hervé Niquet, for Opéra d’Avignon and the Opéra Royal de Versailles.


Listen to Mélodie here:



Reviews of Mélodie Ruvio to follow.